
Portfolio
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Contributing author to Massachusetts Review Gathering of Native Voices
Contributing author to Circumpolar Connections: Creative Indigenous Geographies of the Arctic
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Host and audio production to episodes 9 - 14 of IndigeFi Native Artist Series
Music Director, Arts, and Culture Producer for KXLL 100.7 fm
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Editor, art curator for QULIAQTUAT: stories from the Bering Straits region of Alaska
Organizer, designer of Stop IPOP: Keep Safety Safe advocacy campaign
Co-organizer, host, designer of Thunderbird Series virtual series featuring Indigenous authors across the U.S.
2020 - 2025
Clockwise from left:
Earrings: IG @the.ivory.plug. Digital painting: IG @lodust. Makeup and lingerie: shynatives.com. Necklace: narwhal from Anori Art, Kalaallit. Butterfly mask: Tween Pederson-Szafran. Wu Tang mask: IG @keetcreations.
Chandre Iqugan Szafran, Inupiaq
Chandre’s Inupiaq name is Iqugan, given by her grandfather after his cousin from White Mountain/Iġaluik. She is told that Iqugan was good at forecasting the weather. “Chandra” is a name common in India; a white dwarf star was named after the astrophysicist Chandrasekhar who discovered it. “Chandra” in Sanskrit literally translates to “bright, shining, glittering.”
Chandre grew up in Sitŋasuaq/Nome, going to camp in her ancestral homelands in the Fish River communities of Akauchak/Council and Aŋuutaq/Solomon; and grew up in the Spenard neighborhood of Dgheyay Kaq’/Anchorage, the ancestral homeland of Dena’ina peoples. It is Alaska’s largest city.
Point of View
Chandre’s work is rooted at the intersections of heritage, culture, class, and environment. Her music taste developed with grunge and indie, and with the heartbeats in which drumming, stomping, and electronic beats are rooted.
Chandre’s creative works are drawn to interrogate contemporary assumptions about relationships among humans, nonhumans, time, and place. She embodies the Inupiaq value of humor, which functions to de-fang forces larger than humans.
As Native creators, our work often faces the non-Native gaze. In those spaces, Chandre believes it is our responsibility to know when to deconstruct contemporary “Indigenized” narratives.
Education
Chandre is grateful to learn from Indigenous people globally through cohorts and residencies in Alaska, North America, Europe, and around the Pacific Rim. She is a working writer, creative contributor, and active Tribal and community member in Alaska.
Chandre holds an MFA in Nonfiction Writing from the United States’ only accredited university of Indigenous art forms, the Institute of American Indian Arts in Santa Fe, New Mexico; and a BA English Rhetoric from the University of Alaska Anchorage.
She loves traveling, biking, music, literature, pop culture, berries, fish, tacos, noodles, and the outdoors.